Synesthesia in Art and Science
Netherlands Information Page on Synesthesia
(naar Nederlandse versie)
Synesthesia in Art and Science
Netherlands
Information Page on Synesthesia
(naar Nederlandse versie)
The interest into synesthesia has grown rapidly in the past decades. Within the network of people interested in the phenomenon of synesthesia, this website is dedicated to the activities based the Netherlands. The sites reports on Dutch scientific research into synesthesia, Dutch artists exploring the phenomenon, reports by Dutch synesthetes and other news. Since English is the second language for many Dutch, most of the contributions to this are in English, though not all. This way we hope to show what is happening with regards to synesthesia in the Netherlands.
> the hidden sense
>
order your book
> reviews
>
endorsements
> blogs
& discussions
> more news
> interviews
What is does it mean to hear music in
colors, to taste voices, to see each letter of the alphabet as a different
color? These uncommon sensory experiences are examples of synesthesia, when two
or more senses cooperate in perception. Once dismissed as imagination or
delusion, metaphor or drug-induced hallucination, the experience of synesthesia
has now been documented by scans of synesthetes' brains that show "crosstalk"
between areas of the brain that do not normally communicate. In Synesthesia
in Art and Science, Cretien van Campen explores synesthesia from both
artistic and scientific perspectives, looking at accounts of individual
experiences, examples of synesthesia in visual art, music, and literature, and
recent neurological research.
Van Campen reports that some studies define synesthesia as a brain impairment, a
short circuit between two different areas. But synesthetes cannot imagine
perceiving in any other way; many claim that synesthesia helps them in daily
life. Van Campen investigates just what the function of synesthesia might be and
what it might tell us about our own sensory perceptions. He examines the
experiences of individual synesthetes--from Patrick, who sees music as images
and finds the most beautiful ones spring from the music of Prince, to the
schoolgirl Sylvia, who is surprised to learn that not everyone sees the alphabet
in colors as she does. And he finds suggestions of synesthesia in the work of
Scriabin, Van Gogh, Kandinsky, Nabokov, Poe, and Baudelaire.
What is synesthesia? It is not, van Campen concludes, an audiovisual
performance, a literary technique, an artistic trend, or a metaphor. It is,
perhaps, our hidden sense--a way to think visually; a key to our own
sensitivity.
6 x 9 inch, 208 pp., 44 illustrations, including color illus..
$29.95/£19.95 (CLOTH)
ISBN-10:0-262-22081-4 ISBN-13:978-0-262-22081-1
Order your book from:
Reviews
"The Hidden Sense: Synesthesia in Art and Science, by social scientist
Cretien van Campen, is a straight-forward, readable account of a perceptual
condition in which sensory modalities are crossed - for instance, when music and
other sounds are experienced as colors."
Nancy Princenthal, "Art and Science, On Speaking Terms", in
Art
in America, April 2008, pp. 45-56.
"Van Campen has succeeding in writing a book that has
quite literally changed the way that I think about the world. His careful
exploration of the condition of synesthesia - incidentally, he is a
synesthete - unearths a new and strange world of experience that most people
cannot access. By taking the time to explain the complexities of the condition
in all of its different manifestations, The Hidden Sense offers a
tantalising glimpse into a previously inaccessible world of experience."
Tim Roberts in
Media & Culture Reviews
“Strongly relying on the latest scientific experiments
(brains scans) as well as on a lifelong personal research on and with
synesthetes (persons being able of synesthetic perception), the author manages
to offer a discussion of synesthesia that is of interest for the specialists as
well as for the broader public. […] The author’s way of arguing finds always a
good balance between direct experience (the testimonies of the many synesthetes
with whom he has been working for many years now) and the scientific results of
cognitive and neuroscientific research (of which he is able of giving very clear
and readable reports and syntheses).”
Jan Baetens, Professor of Literary Studies at the Leuven University, Belgium
in
Leonardo, January 1, 2008
"Van Campen is a social scientist with some synaesthesia,
who has thought deeply about the phenomenon, read widely, consulted leading
scientists, and interviewed and tested ordinary and artistic people with many
types of synaesthesia. 'Cases have been reported of
synaesthetes who feel coloured pain, hear odours, hear tastes, taste sounds,
feel sounds on their skin, hear images, and taste images',
van Campen explains. He delves into this complexity with authority, subtlety,
and charm, and the result is a generally accessible, concisely written, and
thoughtprovoking read."
Andrew Robinson in
The Lancet, December 1, 2007
"In The Hidden Sense, Cretien van Campen, a self-styled naturalist of
synaesthesia, explores this ground, providing a gentle, insightful,
often personal, account of coloured words, smells, tones, pains, even orgasms,
that will fascinate scientists, artists, synaesthetes and
others. Slowly, this deep, seemingly intractable, subjectivity yields to some
phenomenology, simple questionnaires, elegant experiments, a
dash of neuroimaging, and much thought and reflection."
Chris McManus, Professor of Psychology and Medical Education at University
College London, in
NATURE, November 1, 2007
Endorsements
"Even readers already familiar with synesthesia will find much to learn from
Crétien van Campen's The Hidden Sense: Synesthesia in Art and Science. In
clear and lucid prose, van Campen provides shimmering descriptions of
synesthetic experiences as he explores the complex interplay between synesthesia
in science and, especially, synesthesia in the arts. Although several of van
Campen's stances on the science of synesthesia are debatable and controversial,
agree with them or not, reading The Hidden Sense will broaden and deepen
one's understanding of this fascinating set of phenomena."
Lawrence E. Marks, Director, John B. Pierce Laboratory, and Professor of
Epidemiology and Psychology, Yale University
"This is an extremely interesting, current, and well-written book that
highlights a fascinating topic in synaesthesia research, namely the translation
of synesthetes' experiences into art."
Hinderk Emrich, Department of Psychiatry and Psychotherapy, Hannover University,
Germany
"This slim, sparkling, sonorous volume is wonderfully rich and
attention-holding. The Hidden Sense will be of profound interest to
cognitive scientists, musicians, and other artists for the dialogue it enjoins
between their respective domains of expertise. But it will especially appeal to
the general reader for the lucidity of its exposition of the art and science of
synesthesia, and the lively accounts it contains of the everyday experience of
synesthetes in their own words."
David Howes, Department of Sociology and Anthropology, Concordia University
Blogs & Discussions
| Cretien van Campen and Dorine Diemer are interviewed on synesthesia in the Dutch video 2 is rood, dinsdag is geel (2 is red, Tuesday is yellow) by Willum Morsch and Annette Posthumus. | ||
The
New England based radio station WICN dedicated a radio
show to the subject of
Art
and History, Art and Neurology, including a 30-minute
interview (10MB, mp3 or stream) with Cretien van Campen on his book
The Hidden Sense:
Synesthesia in Art and Science.
|
||
George Baker is the author of
The Artwork Caught by the Tail: Francis Picabia and Dada in Paris.
|
| Mail to
webmaster Copyright © 1998 Cretien van Campen Last modified: 03-12-2008 |
|
|||||||||
Cretien van Campen is the author of
